Sometimes I think: I don’t even know what this is, but it feels right. The band’s music is often spoken about in the context of hardcore or rock, but the songs contain references to pop music and beyond, like the Sly Stone nod on “T.L.C.” Was there a point when you realized the music could hold all of this at once and it would work? No, it’s so unconscious I’ve always just been a fan of songwriting. If you want to do it, you can do it, whether it’s playing music, being a photographer or finding a little venue and putting on shows. There’s no filtering process where you have to be a certain quality of musician. It felt special that I was actually a part of it and I could start a band. Growing up and going to shows, I picked up on that. Even something as simple as getting up on the stage and doing your little dance and then jumping off - that kind of freedom is a small wall that’s down. We were moshing for the first time, crowdsurfing. I never connected those dots until I started going to shows, where there was more involvement in an intimate setting. Growing up and watching MTV, music can seem like something you admire from afar but are not actually a part of. With those kinds of music, there is an actual connection to people. Both are very participatory and interactive. Turnstile started in hardcore, and you’ve spoken about the influence of go-go, the funk style native to the Washington, Maryland and Virginia area. It was the beginning of seeing what kind of doors something really small can open. How did that impact you as a person? It gave me a little sense of worth, and opened my eyes to realizing that I didn’t have to be the most talented or be anything but myself in order to contribute. #REV THEORY DISCOGRAPHY TORRENT HOW TO#But that band led to figuring out how to play a show at a community center by our house, which was the beginning of feeling like I was a part of something. It was a vessel to figure stuff out, which I’m still doing. We were all learning our instruments as we went. There was no goal other than to try our best. What was your earliest experience of feeling a sense of community around music? As kids, we got a group of friends together to start a band - including Brady, who plays in Turnstile - and we would practice every single day after school, no matter what. I asked Turnstile’s vocalist, Brendan Yates, about that component of the band’s ethos, best summarized in one song title: “T.L.C. Those new fans find eclectic grooves, rushing hooks and - maybe most notable - a feeling of community so potent as to be dizzying amid the isolation of the pandemic. With the August release of their third album, “Glow On,” they became a cross-genre phenomenon, not emerging from hardcore so much as opening a door to fans outside it. Formed in 2010, the Baltimore band Turnstile has long been beloved by hardcore punk enthusiasts.
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